Number-one bestselling author
It was time.
I took a box
and got my novel
ready to send it off
to my publisher.
The bankers box
seemed too big at first,
a void of space too large
for a simple manuscript.
However, I knew that the space
would fill quickly.
I gathered everything up:
every cup of tea I had drunk,
all the candles I had lit,
every conversation that I’d had
about the plot and the characters
with my patient husband
looking like a scattering
of post it notes
shaped like speech bubbles.
There were several hourglasses for
all the time I had spent
trying to find my way
through the terrain of the story.
The box contained its share of shadows, too.
Every moment of self-doubt
and self-hate
that had filled me
during the writing of the book
went into the box as well,
looking like a thick oily mass.
I could hear it squelching wetly
at the bottom of the box.
It was trying to rise up
and coat everything else
that I had put into the box.
To counteract the black mass of nothing,
I slipped in some magic:
The dreams I’d had
while dancing with the words,
dreams that would follow me
into the daylight hours
until I was able to
capture them on paper
went into the box,
the dreams shaped like small clouds.
One of the last things
that I put into the box
is a sprinkle of dust
that sparkles like the moon.
I saved the light
that was made
from the spark of the idea
the novel became.
I sprinkle the dust over everything,
this dust that became the idea
that became the book
and it sparkles as it settles in
amongst the post it notes,
the hourglasses,
the candles and the cups of tea.
On top of all of this,
I place the manuscript
wrapped in a protective envelope.
I give it one final pat,
a small gesture of farewell,
and as I place the box lid on top,
I remember everything that went into the story,
all that the story took from me
and all the pieces of myself
that I picked up along the way.