Number-one bestselling author
As the contract has now been signed, I can announce that my novel Minotaur will be published by Rebel Satori Press in 2025! Huzzah! I’m so thrilled and beyond happy to be starting this new journey! The novel will be published under their Queer Space imprint.
I’m excited for you all to meet Roanne and company in the novel. Minotaur was written during the beginning of the Covid 19 pandemic when we all had to be apart from each other but were desperate to find a way to be together. I wanted to really examine what that kind of world would involve in a dystopian environment.
I’m proud of all my books, but I’m especially fond of this one. Minotaur gave me a world to retreat too when the world I was living in became a little too much to deal with. The result is something I never thought I’d be able to write.
More news as things develop, but I’m so very happy that the book will be published by Rebel Satori Press next year!
When she asked me how I was feeling,
there was concern in her voice.
I began to tell her,
listing the places my body has taken me,
the hills and valleys
that I have had to climb,
mountains that I have had to scale
just to get out of bed.
She stops me
and I imagine myself like the mountain climber,
the one from The Price Is Right that yodels
as he makes his way up a rockface,
stopped in place on a ledge about to fall to my doom.
“It’s not just you,”
she says.
“Everyone I’ve talked to is tired and foggy. I think it’s the weather.”
She gives me what I assume is a frown of commiseration.
I could tell her about how violent the waves
have been in my head,
that I’ve been trying to keep my head still
so that I could see through the water.
I want to tell her about the cavern in my chest.
I’m pretty sure a gremlin has taken up residence there,
content to grow within the dark of me,
its claws hooked into the rungs of my rib cage.
It’s on the edge of my lips to explain how I’ve been walking in the dessert,
knee deep in sand that has grown wet from a storm.
Overnight, the sand fills my bed and grows around me,
like a cocoon that I must slip out of every morning,
breaking free of its shell so that I can sit up.
I have to push my way through the sand so that I can leave it behind,
and yet, it still fills my pant cuffs and pockets.
I could tell her about all the times I have had to brave the marshlands,
The rods of grass are full of tricksters,
the fog hiding everything from me,
and nothing is what it seems.
I try to see through the grass so that I can
find my way to the path.
It will show me the way to safety,
I know this,
and yet the grease filled smoke distorts my mind,
shapes in front of me change and morph
until I have lost my way.
I don’t know where I am within myself most days
and have lost the pathway to safety.
I could tell her all of this,
but when I look at her eyes I can see
that even if I were to tell her any of that,
she would not understand.
Instead, I say:
“Of course, the weather.”
and I leave it
at that.
I’m so excited to be able to share this!
I’m teaching a class for the Obsidian Academy of Esoteric Arts! I mean, how awesome is that? I’m so thrilled to be teaching a class and I’m honoured to be part of the faculty this year.
Mark your calendars! On November 26th, 7:30 – 9 PM ET I will be teaching my online workshop called The Creative Spark!
Learn how you can use Tarot to shape your story before you even put words on the page. Everyone has a creative spark, but how do you take that spark and make it into a flame? Tarot can show you the way.
There are still spots available. You can learn more here: https://www.monicabodirsky.com/shop/obsidian2
I had to think for a while about what I wanted to teach about and then it occurred to me that I’d used tarot to write my novel Queen of Swords. I’ve used tarot cards a lot while writing. They might clear up a plot point for me or help me plot a character or part of the story.
It’s one thing to do it on my own, but I really had to lay out how you can go about using tarot cards to help guide you on your writing. The workshop includes a lecture, a powerpoint presentation and a handout that you can take with you to keep the magic going.
I’m so excited to be able to teach this workshop! I hope those of you who are called to it can join me on this adventure. If you sign up soon, you can also attend Crafting Ghost Stories by the Fire with Sasha Graham who is teaching her course next week.
See you in class!
I came out to myself, first.
It happened in the forest
that I would retreat to
when I closed my eyes.
There was a word for people like me.
The crows would call out the name to each other
and it sounded like home.
The way the crows said the word was like music,
instead of the rush of violent wind that would
burn and hurt
when others spoke the word like a
slap
across my face.
I was unsure whether the forest would accept me,
or if I wouldn’t be able to find acceptance,
even from myself.
The forest held mirrors tucked
into the branches and they watched me
like eyes amongst the dark.
I could see pieces of myself,
fragments of who I was,
who I pretended to be.
Going deeper into the trees,
their pine needles and leaves brushing my skin,
I came a star tucked into path.
It shone so brightly that the soil that I walked upon
was alight with the possibility of something different,
where I didn’t have to be afraid of who I was.
There were scuff marks along the stars surface,
as if the trees had tried to cushion its fall.
I stood there,
the cries of the crows in the distance,
looking at the star
knowing that if I took hold of it,
people would
stare, point, glare, judge, hate, destroy, misunderstand, hurt, ridicule, mock, fear
me because I would shine brighter than others,
a whole rainbow of colours,
but I knew that there were others who would love me.
The wind brought me the music of the stars above me
shining down at one of its brethren
fallen to the ground to bring comfort.
I reached down at took hold of the star,
dug my fingers into the dirt
so that I could feel the dirt and gravel under my fingernails
and pulled the star free.
That night in the forest,
I chose to no longer lie to myself.
As I gently opened my eyes,
I could the sounds of the crows around me and the soft music
of a shooting star.
If I close my eyes,
I can see a forest made of glass.
When I walk by the fragile trees,
the glass acts like a mirror
showing me pieces of myself
preserved in time and kept like a library
of memories and moments.
I lean in closer to the mirrored glass
and I can hear the voices of those
that my mind has trapped within.
I am drawn to one particular tree
as it holds one shard that shines
brighter than all the rest.
There is a glow being emitted by the shard.
I reach for it and the glass cuts
into my right pointer finger.
The glass flashes red and the scene in the glass
begins to play:
I see myself standing with my cane.
There is a man in front of me.
He’s flapping his hand in my direction,
unable to breathe life into the words
that he wants to use.
Looking at the scene, I realize that the man
is made uncomfortable by the symbol
of the disease I carry inside of myself.
I can hear myself speak, the words sounding as if
they are being uttered from underwater:
“I’m sorry, I don’t understand you. I don’t speak flappy hand.”
I have to strain to hear his reply,
Putting my ear against the glass,
I can feel the shard slice into my skin
and it takes another drop of blood from me.
“How does it feel to be half a man?”
I can see the reaction on my face,
feel the verbal slap reverberate through my body.
I take the shard away from my ear,
watching as the blood makes the glass shine red.
Why have I carried this memory with me
and marked it as more important than the others?
I look at the other memories that I have held on to,
deemed worthy of keeping,
and they are all memories like this one
where someone thought less of me
and told me how I should feel about myself.
Looking at all the trees,
I realize that I have created a library of shame,
for what is a forest but a testament to time
and the passing of knowledge?
I stare at the glass forest and I know
what I have to do.
Reaching down to the ground with both hands,
I take hold of a large glass shard
and I stop to marvel at how beautiful it is,
even as it cuts into the skin of my palms.
The first swing smashes into that memory
and I see the horror on his face
as the man with the flappy hand is smashed into powder,
the tinkling of glass sounding like music
in the air filled with the whisper of wind
that seems to be urging me forward,
encouraging the destruction.
As I shatter mor trees,
more memories of how I used to see myself,
shaped by the perceptions of other people,
the air is filled with a fine sand of glass.
Each scrape along my face is like a kiss from the wind
and every time another tree falls,
it fills the air with the sound of bells.
When I open my eyes,
I look down at myself and it shows the signs of a journey.
My body is covered in blood and my clothes have
ripped in places. Patches of soil have worked themselves
into the fabric. I feel a drop of blood falling across my forehead.
My body is hurt, but my mind and spirit are lighter.
The bells continue to play on in my mind
and the sounds of my footsteps
join the soft hum of the wind
as I make my way forward
into the unknown that
is waiting to be
discovered.